Dolores Costello and George O’Brien in Noah’s Ark (Michael Curtiz, 1928)
Stanley Kubrick - Lolita (1962)
You shouldn’t kiss a girl when you’re wearing that gun… it leaves a bruise.
Murder, My Sweet (1944)
The concept is bizarre, combining a building material from the time of Julius Caesar with a Jetsons aesthetic, but the approach has already worked before.
This newly-revived technique could provide low-cost housing for refugees and displaced people, and generally provide architects with a cost-effective way to explore convex construction.
James Whale on the set of Bride Of Frankenstein (1932)
French poster for DOUBLE INDEMNITY (Billy Wilder, USA, 1944)
Artist: Roger Soubie (1898-1984)
Poster source: foreignmovieposters
Au Hasard Balthazar (1966)
Humphrey Bogart, vers 1939
The theatre scene in The Elephant Man (Lynch,1980)
Above: Salvador Dali’s design for the deleted ballroom scene in the dream sequence from Spellbound (1945, Alfred Hitchcock)
Below: Gregory Peck & Ingrid Bergman in the ballroom scene